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Bring Gazelle to your campus

Gazelle is a feature film about asylum, exile and family separation, made by filmmakers who lived it. Universities, research centers and nonprofits bring it in to open a conversation on migration, human rights and the psychological cost of waiting, with the filmmakers taking part.

Who hosts it

More than 7,000 people have seen Gazelle at 41 screenings across North America and Europe, most followed by a conversation with the filmmakers.

Universities
Columbia Law SchoolHuman Rights Institute. With Nadir Sarıbacak and assistant director Büşra Çoduroğlu. New York, October 19, 2026
Hofstra UniversityHofstra Cultural Center and the Department of Sociology, Criminology, and Anthropology. Nadir Sarıbacak and Ayhan Hulagu in conversation with Professor Hafza Girdap. Hempstead, New York, October 14, 2026
Black Mountain Institute, UNLVBMI Live. Nadir Sarıbacak in conversation with BMI Fellow Maryam Ala Amjadi, moderated by Hüseyin Arıkan. Las Vegas, June 2, 2026. Sold out
Community organizations
The Independent Picture HouseCommunity Impact Film Series on immigration, with a resource fair for local immigrant organizations. Panel with Héctor Vaca Cruz of Action NC and Gloria Zavaleta. Charlotte, July 11, 2026

Three ways to bring it

Screening and conversation

A public screening followed by a moderated discussion with co-director Nadir Sarıbacak, often joined by co-writer Ayhan Hulagu. A faculty member or local expert often moderates. Co-presented with departments, centers or student groups.

Online conversation

The film screens on your campus and the filmmakers join the discussion live from wherever they are. This is how The Independent Picture House in Charlotte did it.

Classroom screening

A screening for a course or seminar, paired with our guide for classrooms: themes, discussion questions and readings. The filmmakers can visit the class, in person or online, when schedules allow.

What it brings to a campus

Yakup, a Turkish music teacher, seeks asylum in New York after political upheaval forces him to leave his country. Separated from his wife and daughter, he must choose between waiting years for legal family reunification and risking illegal routes to bring them to safety. The film stays inside his experience of that wait, and that is what makes it useful in a seminar room: it turns questions usually met as policy or data into something an audience lives through for a hundred minutes.

Migration studies and sociologyUncertain legal status, waiting as a social condition, family reunification, and the networks that help or fail new arrivals.
Psychology and social workHow prolonged uncertainty reshapes time, relationships and mental health, and what care looks like for someone in that position.
Law, human rights and policyAsylum and family reunification seen from the inside, and the gap between what is legal and what feels right.
Film and media studiesExilic and diasporic cinema: a film written and directed by people telling a version of their own story.
Political science and historyPolitical exile and authoritarianism, and how upheaval in one country reaches a single life in another.
Nonprofits and service organizationsA shared starting point for volunteers, caseworkers, donors and the communities they serve.

Read alongside it

Books and articles on waiting, uncertain status and exile that pair well with the film.

Cecilia Menjívar“Liminal Legality,” American Journal of Sociology, 2006
Ghassan Hage, ed.Waiting, Melbourne University Publishing, 2009
Javier AuyeroPatients of the State: The Politics of Waiting in Argentina, Duke University Press, 2012
Hamid NaficyAn Accented Cinema: Exilic and Diasporic Filmmaking, Princeton University Press, 2001
Edward W. Said“Reflections on Exile,” in Reflections on Exile and Other Essays, Harvard University Press, 2000

The guide for classrooms explains each pairing and adds discussion questions for every field above, plus a citation for your syllabus.

From the field

“The true measure of a refugee solution is when someone no longer feels like a stranger. Gazelle captures that journey with remarkable honesty.”
Mark Hetfield, Georgetown University Institute for the Study of International Migration
“As a therapist working for over a decade with asylum seekers who have survived torture and persecution, this film deeply resonated with me. It powerfully conveys the unbearable pain of leaving loved ones behind, and the stark truth that fleeing is often the only way to survive.”
Elizabeth Farmer, LICSW
“The trauma isn’t over. We can talk about post-traumatic stress disorder; that’s not what this is. This is a very real, ongoing, traumatic situation. And when you’re in that, you’re responding with whatever you have.”
Sonalee Joshi, clinical psychologist, moderating in Washington, D.C.
“When you are a refugee, a political refugee, whether or not your legal status reflects that, you don’t go to a country to just enjoy and do touristic things. This is a life that is reduced to a bare minimum. Yakup is on a mission, and that is survival.”
Maryam Ala Amjadi, Black Mountain Institute Fellow, in conversation in Las Vegas
“It’s a film that would actually be good for school, for politics and history classes. There are many people who should see it, people who are critical of migration, so they can better understand this suffering.”
Bastian, a politics and history teacher, after the Berlin screening (translated from German)
“To someone who works in support of migrants and asylum seekers, this movie was full of meaning.”
Flavia Dello Iacono, European Council on Refugees and Exiles, Brussels

Request a screening

Tell us a little about your plans. We will write back to shape the date, the format and the conversation with you.