Nobody was calling. So we wrote a story.
That’s how Nadir Sarıbacak tells it: he phoned Ayhan Hulagu and said they should write something, because nobody was calling. When the film was finished we didn’t wait for a distributor either. We started with one night in Washington, D.C., audiences began voting for their own cities, and we went where the votes were. That came to 32 nights across the US and Canada since April, and more than half of them sold out.
People in more than 20 countries have asked for Gazelle in their city. Amsterdam asked loudest, and it is on the tour.





